This year, over Dick's weekend, a member of the Phish community, Michael Hunt (@mjhunt) was diagnosed with stage IV hodgkin lymphoma. In lieu of a formal go-fund-me to help raise funds to support, Mike wanted to host an auction curated from his personal art and memorabilia collection.
Phish fans and photographers rallied around him and donated items that are now up for auction. The auction is full of signed Phish memorabilia, posters, vinyl, concert photography and collectibles as well as items from the Grateful Dead, the String Cheese Incident and more. They've included a complete set of TPC (including a brand-new, still in the box TPC) as well as the posters from the book.
Bid now through Sunday, November 28th at 1PM MT at ConsciousAlliance.org/InnerChi or you can make a donation to Mike's Support Fund at any time here. Every dollar raised through the auction and direct donations will benefit Mike via a grant from Conscious Alliance, a 501©(3) that supports communities in crisis.
To learn more about Mike, head here.
Welcome to the 484th edition of Phish.Net's Mystery Jam Monday, the fourth puzzle of November - shout out to MJM Emeritus @wforwumbo for the puzzle and for mastering the clips! The winner will receive an MP3 download code courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the song and date of all three mystery clips, which are connected by a theme. Each person gets one guess to start – if no one answers correctly in the first 24 hours, I'll post a hint. After the hint, everyone gets one more guess before Wednesday at 10 AM PT / 1 PM ET. Stay safe!
Hint: Will you take a cup of kindness yet?
Welcome to the 483rd edition of Phish.Net's Mystery Jam Monday, the third puzzle of November - shout out to MJM Emeritus @experiencechuck for the puzzle! The winner will receive an MP3 download code courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the song and date of both mystery clips, which are connected by a theme. Each person gets one guess to start – if no one answers correctly in the first 24 hours, I'll post a hint. After the hint, everyone gets one more guess before Wednesday at 3 PM PT / 6 PM ET. Stay safe!
Welcome to the 482nd edition of Phish.Net's Mystery Jam Monday, the second puzzle of November. The winner will receive an MP3 download code courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the song and date of both mystery clips, which are connected by a theme. Each person gets one guess to start – if no one answers correctly in the first 24 hours, I'll post a hint. After the hint, everyone gets one more guess before Wednesday at 10 AM PT / 1 PM ET. Stay safe!
Reminder: For the first MJM of each month, only folks who have never won an MJM are allowed to answer on the blog before the hint. If you have never won an MJM, please answer as a comment below. If you have previously won an MJM, but you'd like to submit a guess before the hint, you may do so by PMing me; once the hint has been posted, everyone should answer on the blog. If that's confusing to you, check out the handy decision tree that I threw together for you. If you're not sure if you've won before, check in the MJM Results spreadsheet linked below.
Welcome to the 481st edition of Phish.Net's Mystery Jam Monday, the first of November - shout out to @Zands for the clip! The winner will receive an MP3 download code courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the song and date of the mystery jam. Each person gets one guess to start – if no one answers correctly in the first 24 hours, I'll post a hint. After the hint, everyone gets one more guess before Wednesday at 10 AM PT / 1 PM ET. Stay safe!
Halloween! It's the 5th most played date in Phish history, trailing just 12/28-31, and perhaps the second most sacred. We go into every show hoping for something unique that we will remember for the rest of our lives, but Halloween and New Years are the only nights where we are promised that something weird will happen.
While one of those nights revolves around midnight and whatever stunt might happen then, All Hallows Eve's focus is on an entire set. It started out straightforward enough. Phish would play an album of a band they loved. During the third one, they decided to create an ode to the release, something to explain why exactly they chose it.
But Phish evolve endlessly. They tried variants of it. We've gone from Phish covering an existing album to debuting a new one to turning a sound effects release into a series of songs to creating an entire fake band complete with back story, and playing as them. The Phishbills morphed from explaining the importance of the album to rock history to surreal flights of fancy. Would they find a way of topping that, or would we see the return of the already beloved tradition of covering a currently existing album? There are still many people would love.
Who could have predicted a show that was made entirely of songs about animals? Many people did, and with last night's show, we finally uncovered the complex equation that reveals Phish's Halloween plans, once and for all. The answer is: they're fucking with us. They are always fucking with us.
If you can believe it, I actually didn't realize that the set was all animal songs until deep into the first set. My excuse is that I was just really into the music, man. But with "The Dogs" opener, clocking in at about nine minutes, we knew we were being subjected to another elaborate plan. The "Ocelot" brought us further into the animal kingdom, and "Turtle in the Clouds" gave us some much needed on-stage choreographed dancing.
By this point in the set, we were wondering if we were going to get another thematic show, with serious improv, like 10/28/21. But on this night, the service was to the bit, the bit led the music, and although we didn't see the levels of improv we saw on the other nights, it gave us a show with 25 songs and 201 minutes of music, and the kind of show you're not likely to see again. And you can always tell, when the band is doing a bit, when they know what's in store and we don't, they absolutely love it. They were relishing it. All night.
The crowd went into night two of the four-night Vegas Halloween run with high expectations. After night one of the run, where the setlist literally went “backwards down the number line," the rumors swirled that there would be another theme---colors? Animals? Fans were caught up in a Lost-like mythology trying to decipher the number 4680, the total of the numbers from the prior night's song selection, in hopes that the band was leaving a trail of breadcrumbs leading to the Halloween surprise. Fitting, since hordes of fans descended on the nearby Meow Wolf, which itself is an augmented reality mystery within a a psychedelic playground.
[Thank you to Phish.net contributor Dianna (@Dianna_2Ns) for this recap. -Ed.]
Last night, Phish treated fans to an absolute delight of a show as they literally went backwards down the number line to kick off their first night of four at the MGM Grand Garden Arena in Las Vegas, Nevada. The band opened the show with some discordant sounds and eventually dropped into “Also Sprach Zarathustra” which was met with massive crowd cheers. This is the first time the band has opened a show with that tune since 9/22/99 at the Pan American Center in Las Cruces, NM. The patience, focus and synergy that would be present throughout the rest of the show was really on display throughout this song, as Trey brought back “LA Woman” teases from last Saturday’s Forum show in addition to throwing in a few “Manteca” teases, as well. This jam starts dirty and stays that way, with Mike heavy in the mix, Fishman driving relentlessly and Page supporting Trey’s wailing with massive synth swells before the drop back into the song. After an impressive sixteen and a half minutes, the band comes to a stop before Trey takes the mic to assure everyone that, “We're not gonna hurt you... We just wanna have some fun…” before an absolutely epic drop into a cover of Prince’s “1999”—only the third time this song has ever been played live and 130 shows since the last time it was played (7/26/17 at Madison Square Garden during the Baker’s Dozen). Similar to 2001, this jam was lengthy and went Type II, with Page taking the reins for a good deal of it backed by fantastic interplay between Mike & Trey. Towards the end of this almost 15 minute spacey jam, Trey just lets loose, sustaining soaring extended notes before the band moves on to “555.”
[Thank you to Phish.net contributor Landon (@nomidwestlove) for this recap. -Ed.]
On Tuesday, October 26th, 2021 The Phish from Vermont brought their own unique brand of trans-dimensional, intergalactic space funk to the quaint central coastal community of Santa Barbara. The bowl itself, with its dramatic backdrop of the Santa Ynez mountains to the east and a view of the pacific ocean from our seats to the west, seemed to serve as a beacon, perhaps attracting unexplained aerial phenomenon and other sentient extra-terrestrial beings to use their state-of-the-art propulsion systems to hover in the void between the sea and stars.
This band has had plenty of peaks and valleys in their triple decade plus career, but I think they’ve proved with these past few shows, that the ceiling expands far higher into the stratosphere than one could have ever guessed. Yes, way up out there in the cosmos, Phish is providing the soundtrack for this donut-shaped universe.
[Thank you to Phish.net contributor Willie (@twelvethousandmotherfker) for this recap. -Ed.]
After three long years, and fifteen months to the day from the originally scheduled date, Phish returned to the phabulous Forum last night to play a rock concert. Thank Icculus.
For me, it was my first indoor show since Nassau in 2019, and damn was it good to be back. I didn’t realize how much I missed standing with my buddies in my favorite spot (right in front of Mike), sharing in the joy and community and, yes, groove that makes Phish so special. We’re all extremely lucky this is still happening -- I don’t want to forget that. Plus, they’ve been playing out of their minds!
So, let’s dig in.
Phish performs in different places around the country to convince their fans to move there. No doubt that the luxury housing development atop the mountain range behind Chula Vista’s North Island Credit Union Amphitheater was able to advertise breathtaking views *and* the opportunity to listen to a live Phish concert while laying on your deck, totally nude, spun out of gourd without any LiveNation employees to hassle you.
The beauty of the late fall outdoor show is that the concert begins in the dark so the light show is in full force. Palm trees lined the back of the lawn, which was not overpacked like most of the lawns were this summer. A pamphlet from the Twelve Tribes somehow ends up on our blanket.
My wife, Kylie, and I have lived in Phoenix since 2006. That means we moved to Arizona three years after Phish last played it. Their last show in the desert southwest was on July 7, 2003, at the same venue (different name). Needless to say, we have been awaiting their return since we arrived 15 years ago. This was absolutely a ‘hometown show’ for us and the excitement was built for a few reasons. Not only was it Kylie’s first show since 9/5/15 (and second since 12/7/97!), it was our kids’ first show ever and my first show in a proper outdoor shed since 2018. On top of all this we had friends in from Michigan and a local friend came along for his first show. A proper crew was engaged and ready.
Phish delivered. It was a wonderfully crafted show. An almost perfect one-off, Friday set list full of well-known rockers and newer tunes that were taken deep. “Julius” is an opener I’m always up for as it sets a bouncy, dance-y precedence…even when you don’t get through security until half through the tune. It took us about an hour to get through the line. The venue has only two entrances, so no one could have seen that coming.
Though I have been away from the place where I usually rest my head for a few days, I can say, with all honesty, that I never left home. Such is the joy of having Phish settle in for a few days of their unique brand of quackery in the home of the ducks. I have spent a lot of time in Eugene, the place is familiar. This familiarity leads to relaxation. The mid-week doubleheader further expands the timeline of the experience to allow for a long day and longer night of making real connections with friends old and new. The PNW regional branch of the PSH class of 1983 reunion was in full effect at the Best Western New Oregon, a stone’s throw across the street from the Matt Knight Arena. Minds were blown, faces were melted. Not many people came, tickets went unused, but those who did make the journey were not disappointed.
The last few weeks have been rough both personally and for the Phish community at large. I caught Covid after a Billy Strings concert and on September 28, I had to go to the hospital as I was having symptoms of hypoxia. Fortunately it was "just" the Covid creating pneumonia and the ER sent me home a few hours later, but in the moment it was terrifying. I didn't know if I would ever leave the hospital again.
The one cool thing that did happen from that horrible day is that Trey was tipped off that I was there and he sent me a message from his solo set that night, telling the story about how me timing songs and how I might not have been the fan that musicians dream about when they form a band, but ultimately moved it to a direction of genuine affection, a sign that Trey really does care about the community.
So after the drama of catching Corona, fearing for one's life, and then recovering, three weeks from the day of my hospital visit, I somehow found myself inside Matthew Knight Arena - on the floor close to the stage no less - about to see Phish. And what do they start with? "Down With Disease." And not just any "Down With Disease" but the 6th longest ever played. While I doubt it was intentional, that opener - complete with a few interesting themes, a "There is a Mountain" tease, and some very cool effects from Mike - felt like a perfect way to mark the end of one of the scariest chapters of my life.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed just about $1,500,000 to support music education for children – hundreds of grants in all 50 states, with more on the way.