9-25-99 -- Woodlands Pavilion, Houston, Texas

review submisions dws@www.phish.net or dws@gadiel.com

Date: Sun, 11 Feb 2001 21:14:55 -0600
From: James W. Adams Jim.Adams@natoil.com
To: "'dws@www.phish.net'" dws@archive.phish.net
Subject: 9-25-99 -- Woodlands Pavilion, Houston, Texas
 
This is kind of a poignant comment on this show and on attitudes of Phish fans
in general.
 
First of all, the Woodlands is in the midst of Gen-X post-Yuppie surburbia and
blows dog in the first place, so all the "lot scene" comments in my view are
superfluous.
 
It's like VaBeach, it's Nazi territory, but at least the cops were a lot more
decent than they were in Merriweather in 1998 or VaBeach the same year. let
alone the cattle drive that took place in Providence on the Island mini-tour
in 1998.  In VaBeach Maria was searched to such an extent that she was forced
to throw away a bag of cashew nuts in her purse to enter the faciity.  I
somehow expect that had she been white instead of Latina, she would have been
waved through without a thought.  At the VaBeach show in 1998 we were
constantly observed by police with binoculars from a hilltop at the back of
the lawn area, and subject to immediate interrogation for so much as offerring
change to a fellow fan for a $20.  I have been to the Czech Republic to see
Phish, where the cops carry Uzis, and have never been treated with such
disrespect for civil liberty.
 
I'm a relatively old man at the age of 45, and I strongly resent this sort of
Jim Crow attitude.  I grew up in the inner city, and most of my schoolmates
were African Americans, and my high school, long since demolished, is
prominently featured in the National Civil Rights Museum in Memphis, TN.
 
Due to the fact that my wife was dying of terminal cancer at the time, we
missed mail order and had to stand in line behind a bunch of obvious scalpers
to deal with TicketBastard.  To our amazement, largely because the young woman
who drew the lottery realized that we were the only true fans there, cheated
and we got front row seats in the orchestra pit right in front of Trey.  
Considering that this was the end of the relatively healthy period of her
life, I don't feel bad about that.  At least after many shows she finally got
a really good look at what live Phish is all about.
 
My gift to my then new wife (we married on 6/27/98...she died of cancer on
5/25/2000) was the entire 1998 European Phish tour as well as the whole East
Coast tour including Lemonwheel.
 
I guess my greatest regret in that regard is that she never got to hear
"Farmhouse," which she would have loved, but she did get to hear "Brian and
Robert" which was perhaps her favorite Phish tune.
 
I have received a very kind sympathy card from the band regarding her death.
They really do care.
 
     Jim

Date: Mon, 27 Sep 1999 12:12:58 -0600 From: "Wagner, Reid D." wagnerreid@wagneragency.com To: "'dws@gadiel.com'" dws@gadiel.com Subject: 9/25/99 review This is my first submitted review of a show. I am compelled to do so because of the scene and show itself. First, the lot scene SUCKED! Way too much security. Although the passing out of free water was nice. This was my first and hopefully last time in Texas. What a boring, flat, treeless, and hot place. Apologies to all the friendly Texans I met along the way, but your state sucks. Anyway, about the show. We were lucky to get 10th row center through mail order so my impressions are maybe enhanced because of the overall intensity level when sitting that close. set 1 Tube -- Yes Yes Yes!!! My first Tube at my 61st show over a 10 year span. I could not have been happier and the boys did not dissappoint. Love the phunk!!!!! Runaway Jim -- As always, very good. The jam was more rockin' than usual which is fine by me. I really liked the fact that it ended when it should have. Not too long and not too short. Yamar -- One of my personal favorites. Very good and tight. Horn -- Haven't seen it since '92. Hasn't changed much but it still was great and was a joy to see. Limb By Limb -- I did not like this song when it came out in '97. But since then I've acquired a taste for it. The jam was super tight and really featured all 4 of them nicely. Again, not too long and not too short. On Your Way Down -- Cool bluesy tune that I've only heard on my 9/24/88 tape. Trey's licks were solid for this one. Sleeping Monkey -- Always a treat. I think this version was a lot better and tighter than ones I've seen in the past. Isn't Trey the coolest dude on earth by the way he honored the phan request AND brought her on stage? Wilson -- I called this one. I always enjoy Wilson but they could lose the heavy metal jam. Otherwise, it was as solid as ever. set 2 NICU -- Another one of my personal favorites. I'm glad they increased the speed to where it should be. If you don't know what I mean, listen to any NICUs from 1998. This version was real nice. Also, I think it's a great set opener. David Bowie -- BOOYAA!!! Need I say more? A side story to tell... At the beginning of the jam, a security person wanted to take my pipe from me. I simply told her that I wasn't causing any problems and was just having a good time. After a minute of this she said ok and left. A word of advise for you stoners like me...if you get confronted by security personnel, just be nice and polite and explain why you're smoking. More likely than not, they will leave you alone. Squirming Coil -- Page was stellar for this one. I only wish he would have done a long piano solo because I really needed the rest after Bowie. Prince Caspian -- My second least favorite Phish tune. I took a dump. Rock and Roll -- I'm glad I made it back for this one. Never heard it before and was greatly impressed. It was a real good dancy kind of tune. 2001 -- Pretty standard. Is it me or was the 2nd half of the 2nd set a strange placement for this song. Anyway, I liked it. Frankenstein -- Absolutely kicked ass. Best one I've ever heard. Julius -- All I could think to myself after a rippin' Frankenstein was 'please don't play Julius to end the set'. Julius is my least favorite Phish song and this version did nothing to take away its lowly status with me. I wish I would have dumped during it instead of Prince Caspian. I know that lots of people really enjoy this tune but doesn't everyone have one song that they just don't like? Encore, Character Zer0 -- I guess its better than something like Sabotage for an encore. Actually, this version rocked pretty damn hard. Post show activities -- This is where it all came apart. The cops were such assholes. We got back to our lot and after only about 30 minutes they broke up everything and made everyone leave, using the line "get out of here so we can" Fuck that! If you don't like it then get a new job. The guy parked next to us worked diligently all day preparing his French Bread Pizza. He sold maybe 10 when the cops made him either throw them all away or give them out for free. In typical fashion, many phans gave him money anyway. The vibe was so bad that I would recommend to Phish not to ever play there again. All in all the show itself was real good. I'd give it an 8.5 Pheel Phree to send me a response. Reid Wagner Pittsburgh, PA
Date: Mon, 27 Sep 1999 11:03:21 -0700 From: Joel Tison jtison@ev1.net To: "'dws@www.phish.net'" dws@archive.phish.net Subject: Review of Woodlands Concert This concert was the first show by Phish that I have ever attended, and I thought it was INCREDIBLE. The music was awe-inspiring, the weather was perfect, and the light show was marvelous. I thought the highlight of the evening occured when the band played Wilson. The version they played was much more pumped up than the one on their album A Live One, and everyone was screaming and dancing as they jammed for around 10-15 minutes. Overall, I thought the show was great, and they went from being one of the bands I know least about, to being one of my favorite (if not favorite) bands
Date: Wed, 29 Sep 1999 08:44:41 -0500 From: michael.e.powers@ac.com To: dws@archive.phish.net Cc: dws@gadiel.com Subject: Houston reviews Well, as is probably true for the cities, the crowd at the Woodlands show (just north of Houston) was the exact opposite of the crowd at Austin. First of all, the crowd was a lot smaller, I wouldn’t be surprised if it was half the size of Austin (Austin = 25,000?, Houston = 12,000? best guess). The Woodlands Pavilion is a beautiful venue, similar in design to any of the big outdoor summer venues (Deer Creek, Lakewood, etc.) but smaller and nicer. The pavilion was maybe 75% full (lots of open seats) and the lawn looked maybe half full. Although smaller in number, the crowd was PUMPED from the get go, and once again, Phish did not disappoint. Tube is my favorite Set I opener, and rarely have I seen a show go wrong with a Tube opener. This one was short, extremely funky, and we got a bass solo in the first freakin’ song! What more can you ask for? From note 1, you could tell that the band was on. Jim came up next and again, seemed shortish, but there wasn’t a wasted note. Trey was on fire, in fact. Ya Mar came 3rd and did Leo blow us away! Fan-tastic organ solos, and Trey’s segment was nice too. Horn was Horn, with no noticeable flaws. Limb By Limb was long and went many places, even sounded jazzy for a while there in the middle before they pulled it back in. Fish joins Mike on the solo list with the solo ending (nailed perfectly) On Your Way Down simply smoked. Sizzling slow blues, and the changes were tight. After On Your Way Down, Trey was tuning and then looks up as if something has caught his ear. He then steps up to the mic and says "We’re going to play this next one for this young lady here. She’s been screaming Sleeping Monkey throughout the entire show. Well my Sleeping Monkey is your Sleeping Monkey. Fish is going to sing it extra long, just for you." So they started Sleeping Mokey, and Trey is singing the whole song directly to her (they had the big video screens going, so you could tell). Before Fish’s solo part, Trey unslings his guitar and he and someone from backstage (Brad?) help the girl up onto stage, he walks her over and helps her up onto Fish’s drum platform, the lights go down except for the spot, and he sings it directly to her. Trey helps her down before the "Let It Be" organ, straps on his guitar, and as the finale kicks in, the girl is at the lip of the stage and gives a Fishman-esque "hands to the sky in victory" move and the crowd goes wild(er). They wrap it up and kick into Wilson, and the crowd is singing their hearts out. The heavy metal section rips, as does the "Blap boom" ending segment, and we’re recovering at set break. During the break, I think to myself that the energy from Austin’s 2nd set pervaded the first set, and that Houston’s first set definitely outpaced Portland’s and Austin’s, and has set a high first set mark for the 6 remaining shows I’m catching this fall and winter. The second set begins with NICU and some more incredible solos by Page. Bowie’s up next, long, spacey, it got into a real "major" sounding jam in the middle, so much so that I thought for sure that they were segueing into something else, but it eventually returned to the Bowie theme and wrapped up nicely. The Squirming Coil was great to hear, as I haven’t caught it since ’97. It sounded great (great sound system) at a nice, quiet level until the very, very end (Page’s solo), and then the woo hooers took over. Caspian started in the quiet and came to life pretty quickly. It had a nice jam out of the end, but the naked guy jam out of Caspian at Madison last fall is still the definitive version for me. Rock & Roll starts up and Page takes us through the verses and choruses and just before we get to the "It was all right" round, Trey messes up the composed lick. Boy did he recoup, though, for his solos throughout the jam just tore, and he was stepping and hopping and bending all over the place. They reprised the vocal round, and you expect the song to go back into the chords and end, but Trey extends the jam on the other side of the vocals before bringing back the chords. He gives the band the "keep it going" hand signal and throws down a bunch of loops. I’m thinking Ghost, then Fish kicks in and it’s 2001. 2001 is long (much, much longer than the Portland version I caught), the intro features great work by Page, they run through the verse once, and then comes the best stuff I’ve ever heard Phish play. The funk jam between the 2 verses was so incredible, it featured Trey chording, soloing, playing the keyboard, and my favorite part, where he just stopped and watched the other 3 groovin’ for a long time. I was following Mike’s bassline intently, but there was magic from all 4 of them. If I were one to say "This is the best version of….. I’ve ever heard" in my reviews (and I don’t, because there’s so many versions I’ve not heard, that I’m not sure how much weight that statement carries), I might say it about this 2001. I’ll just urge fans of 2001 to get a hold of this show and check it out. So, 2001 was long, so long in fact, that I thought to myself "Do they ever do 2001> a short closer, a Frankenstein or Golgi, for example?" Well, my question was answered as Frankenstein ripped forth. Great Frankenstein, insane keys from Page, I thought for sure it would close the show. Julius started, and before my next comment, I’ll just say that the band was so on, that the leads Trey was playing under the chorus at the end were unbelievable. Julius as a set closer and Character Zero as the only encore. For me, personally, that doesn’t look that good on paper. I’ve heard Julius in the wrong slot late in some recent shows (11-14-98 and 7-26-99 didn’t do it for me), and I just think Character Zero is overplayed. But like Chalkdust the night before, these songs seemed fresh for me, and I thought they both smoked. In summary, I’d say this show was the bomb. The only other show that approaches it in ’99 for me was 7-25-99. Both sets were incredible, the playing just crackled from start to finish, and I think the 2001 is a must-hear. Was it the band? Was it the listener? Both, probably. Who knows? I’m just extremely psyched for Ames>Normal next weekend and then Cincinnati in December! Mike Powers
Date: Mon, 27 Sep 1999 20:32:17 -0500 From: will.w.walton@us.pwcglobal.com To: dws@archive.phish.net Subject: Houston - 9/25/99 What is with all the complaining. "The lot is no good". "I couldn't get fucked up enough, because of security". Bunch of frigging cry babies. Also, I am seeing a trend in how phans base their opinions and reviews. It seems to me that people seem more concerned with what the actual setlist was than how it was played. I mean don't get me wrong, I love to see Phish trying out new covers and songs, but come on! I thought we were going to these shows to appreciate what those guys are creating in the true present. Personally, I would give the show an 8 out of 10, but the second set was a solid 10. I have never in my all my phish life been able to immerse myself in the music as I did in Houston. Never before have they been able to grab a hold of my mind, body and let my spirit soar like they did during Saturday's second set. Better than 4th in Atlanta. Better than any Deer Creek. I know these are bold statements, but bear in mind that this is my review, not yours. I enjoyed the 1st set thoroughly. Saddened by the the Vancouver and Gorge shows, I had little expectations going into the second set, which could have been the reason they blew me away. Nevertheless, watching Phish evolve from last year's Houston's show to this years, has earned a place in my heart, like no other. Astounding. Incredible. Beautiful. Funky. Mind-Blowing. Divine. No word or phrase can begin to describe how Phish has transgressed past musical norms and boundries into a realm only describable when they are on stage. Thank you boys. As you may have picked up, the second set was pretty much as good as gets. NICU delivered the juice to boogie. Bowie exploded, leaving most mouths open in awe. Great intro, love what their doing with this Favorite. Squirming Coil was an unexpected treat with amazing work by Page, very tight jamming leading me to places unknown before. Price Caspian wasn't what I was looking for but did the job (excellent work by Trey) gliding me into Rock n' Roll - Screamin' all they way down. Mike got nasty with 2001. Spacey, funky, great rhythm. I felt that they boys really connected on this one leading into an all out Frankenstein. Julius is always I great closer. Yea, I like most, am always looking for a Halley's, It's Ice, Mound, or a phat Slave, but what those guys are doing with music itself is a god-send.
Date: Mon, 27 Sep 1999 16:00:31 -0500 From: Tim Hardy timhardy@sprintmail.com Reply-To: ELN/03G61@sprintmail.com To: dws@archive.phish.net Subject: 9/25/99 Houston Okay, so the lot and tap water sucked, but this was a sweet venue in a pretty place. Once again the weather was great. Tube is a great way to open, and I danced hard. The Ya Mar and On Your Way Down were excellent, as was the Jim, but the only real standout was Limbx2. I found this to be some stellar group jamming. It sort of left to a spacey area for a bit, until Fishman double timed the beat and the boys jammed back into the reprise. I've never heard a Limb do this before. Excellent. The obvious highlight of the show was the Bowie. Man oh man alive was this one hot. You really just need to hear it. Insane jamming and then a huge, high energy climax. I found the rest of the set to be rather average, although the 2001 was *very* funky and the Rock and Roll and Frankenstein were great, too. I hate Julius, and never in my life have I heard one as tame as this. Good god was this boring. And then to top it off we got more Trey wanking in Character Zero. I was very let down by the encore and closer, but on the whole this was a very entertaining show and I definitely got my money's worth. Oh and the Squirming Coil actually is nearing a jam at the end. The boys played much longer than usual into the Page section. I don't know, my recommendation is get the tapes if offered, but don't go searching(except maybe for the Bowie and 2001). I found the jamming to be a little lacking(as with the last night save the Wolfman's->Lizards). Later, Ry
Date: Thu, 30 Sep 1999 19:58:51 EDT From: LAXchick21@aol.com To: dws@gadiel.com Subject: your 9/25/99 phish review I read your review and thought it was a very good one. I'm 15, and this was my first phish show. i moved to texas during the summer of 98 from philly, where i became familiar with phish. so anyway, i have to agree with you on how uptight and anal the cops and security are. the thing is that the woodlands is a "family-oriented" town. the people here arent used to this kind of invasion. on monday at school all my friends were talking about all of the "freaks" down by the pavilion. i was like Hey!! im one of those freaks!! the people who were born hear in tx have never even heard of phish. so when i asked people to come along with me to the show, they were asking what songs do they sing?? and i said if you have to ask, you probably dont know who they are. so anyway, i just wanted to apologize for the crappy atmosphere. the woodlands pavilion is the only decent place to have an outdoor show near houston, so its this or no show. and i honestly prefer this anyday. adios! peace, betsy whitney
Date: Mon, 27 Sep 1999 13:56:08 CDT From: Jeff Skaggs jeffskaggs420@hotmail.com To: dws@archive.phish.net Subject: 9/25/99 Review What a night! What a show! After last night's dismal show I knew that the boys were going to serve up some great sets tonight. They did not let me down. From the Tube opener to the last strums of Character Zero this show was flawless all the way through. While the setlist may look a little basic, the jamming and high energy was not. The boys were definitely on tonight. Highlights of Set I include a Sleeping Monkey that was played for a girl who had been requesting it all night. During Fishman's a capella section, Trey pulled her up on stage and Fishman sang to her. It was a great moment and fun for everyone in attendance. Also, the first set Limb By Limb was the best that I have ever heard with intense jamming up until the reprise of the melody. It was a transcendental moment. Combine these with a rare On Your Way Down and a rockin' Wilson and you've got a brilliant first set with high energy. Set II continued where the first left off with a nice NICU. Then, is it Ghost? Maze? No, it's Bowie. And what an amazing Bowie it is! Flawless is the word to describe it. Then, set just kept getting better with superb song choices such as Squirming Coil, Prince Caspian,and Rock & Roll. All were great renditions, especially Rock & Roll. Then came the homage to the home of NASA as the boys gave us the expected Also Sprach Zarathustra, followed by a hard rockin' Frankenstein. Julius capped off a great second set and ended the set with the high energy that had been created throughout. The Character Zero only reinforced the fact that I was seeing one of the greatest Phish shows ever. Overall, this show had me dancing non-stop. I don't recall any low points in this show, and it would be my choice for Phish's next live release. Seek out the tapes and you will see why. Jeff Skaggs
Date: Mon, 27 Sep 1999 15:51:32 -0500 From: Boyd Logan blogan@fayar.net To: dws@archive.phish.net Subject: 9/25/99 Lot Scene with some review I don't get all of you people griping about the lot and the scene. The lot I was on, which admittedly was the first one to be filled and not one of the private/corporate lots, was one of the coolest I've seen. They actually had recycling bins set up throughout the lot, guys with water coolers circulating and handing out free water, and cops who were super cool throughout the day. One reviewer gripes about the strict security, then goes on to relate how he didn't have his pipe confiscated? Ummm...that's not exactly strict security. On two different occasions, I saw cops pass up on opportunities to arrest people. Once, before the show, a guy was selling 'ludes in front of the venue and the cop said, "Hey, you can't sell those here, please go back to the lot if you want to sell that stuff." And then after the show a cop says to a group of people trying to make a deal, "Hey, sell your pills and get the hell out of here." Neither of those two incidents are indicative of overly tough law enforcement in my opinion. So, they want to clear people out after the show? So has the security at every other show I've ever been to. I wasn't too happy when the cops shut down the guy who was doing some nice picking on his banjo after the show and was about to be joined by a mando player, but I can understand that they are ready to get home. As for the show: Not as good as Austin in my opinion. The show was a rocker, if you are into that side of Phish. There just wasn't much exploration and improvisation throughout the show, as there was during the DWD, Wolfman's, and Sand the night before. The boys did rock, though, and they seemed to have an extremely good time. Trey and Page kept giving the thumb's up to various portions of the audience down front, inciting massive yelling and screaming throughout the show. This crowd was much more boisterous and loud than the fairly mellow Austin crowd the night before, and I think the music reflected it (or maybe the crowd reflected the music, I'll never figure out how that relationship works;) Lots of jamming throughout the night, but they were mainly pretty standard rockin jams, not the improsiational dissolution that I dig on more. The highlight for me would have to be the 2001, although I wasn't entirely thrilled by the synchronized clapping during the funky space of the song, another indicator of the type of crowd it was, but again, Trey seemed to enjoy it as he started doing a little dance in time with the crowd's clapping. The lights were wonderful as always during this song, and I really appreciated them this time as I was with my girlfriend (she had sworn off Phish after touring back in 95 and is now back on the bus, praise Icculus!) who is extremely visually oriented and kept marveling at the lights. I think she's now a CK fan more than a Phish fan;) All in all, I enjoyed both Austin and Houston, thought the vibes and scene were great at both, and was glad to get to catch Phish over the weekend. Boyd Logan T2K Grant Technical Assistant East Campus: Lab4 Personal: blogan@fayar.net Lab Scheduling: eastlab4@fayar.net
Date: Mon, 27 Sep 1999 13:07:42 -0500 From: kyle wallace kw42652@swt.edu To: dws@archive.phish.net Subject: 9/25/99 Houston The Phish show in Houston was a solid, but mostly standard arrair. The first set was fairly mellow, and the second was a good set with a killer Rock & Roll>2001>Frankenstein>Julius to end off. here is the breakdown: Tube: great song, this was a standard version that was a good opener, but couldn't match the disco funk 2000 feel of the tube @ Virginia Beach this summer Runaway Jim: They played this 2nd in the first set last year in Houston also...Standered version Ya Mar: I love this song, but like most of the set it was a standard version much unlike the Ya Mar in Austin during Summer '98 that really opened up and went new places Horn: the first time i have seen them play this great song off Rift, it was fairly close to the album version Limb By Limb: the highlight of the first set, the guys have been really doing neat things with this song the last two years... On Your Way Down: the Little Feat song that was brought out for the first time in a decade at Shoreline a week or so ago... a bluesy tune that was new for me Sleeping Monkey: this was a request from a female fan in the front, Trey brought her on stage & she was serenaded by Fishman Wilson: the only big jam of the 1st set, good song, but stayed standard to the typical performance set II NICU: i love NICU & this was the first time they played it at a show for me BOWIE: this was a breakout Bowie that was really long & intense, the best version i have seen--Trey on mini keyboard for spacy intro Squirming Coil: a majestic wasy to catch our breaths, wonderful song Prince Caspian: i love this soon more every time i hear it, it really sets my floating on the waves... Rock And Roll>: fully jammed out Velvet Underground classic...highlight of the show 2001>: they played this last year in Houston as well, great song, more typical, a big change from the really slow building and spacy version in North Carolina this summer---trey used his mini keyboard again... Frankenstein>: always a raved out rocker, this really had the energy peaking out Julius: great set ender, energy levels peeking out. i thought Frankenstein would end the set, this capped off a great overall end of set run. Character Zero: they encored this last year in Houston, typical Character Zero encore, i like this song, but it rarely changes around much. overall a standard show with a must hear second set. kyle
Date: Mon, 27 Sep 1999 13:55:49 -0500 From: "Scheffler, Craig S." Craig.Scheffler@equistarchem.com To: "'dws@www.phish.net'" dws@archive.phish.net Subject: 9/25/99 Houston excellent, solid show.....then again, all of them are in my opinion.....the woodlands pavillion in houston is an excellent venue to see a concert.....except for, of course, the parking lot...... ah, yes....the parking lot scene....here's the situation....... the woodlands pavillion does not have a central parking area, nor does it own any of the surrounding lots in the area....the pavillion simply rents these lots from surrounding businesses for shows.....so, needless to say, if the owner of the lot comes down hard on the pavillion for allowing tailgating, the pavillion in turn comes down hard on the phans.....hence, many, many corporals on horses patrolling the area......believe me, i'm not condoning the beefed-up security.....just relaying this info to all of you who are wondering why the situation was the way that it was......
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